The collective thought and spirit we call Jack.
Jack it now. Jack it later.
Jack lives within you.
The collective thought and spirit we call Jack.
Jack it now. Jack it later.
Jack lives within you.
We got the rhythm. You got the rhythm. The heartbeat is the sound of the drum. The rhythm is HOUSE. The synth is ACID. W. Jeremy’s second release for the Rebel Eye label. The House Cartel and Rhenalt provided remixes
MAY 13TH, 2016
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Come and hangout with the Rebels of House Music on the super stylish rooftop of Space Ibiza New York. Underground Electronic Music will be played all evening long. Celebrating the release of Premo’s E.P Feel This Way! http://www.traxsource.com/title/607496/feel-this-way Enjoy the sunset with a fashion forward crowd, abstract dance rhythms and an Ibiza like scenery. This session is an after work event. DJs:
Angelo Boom http://www.angeloboom.com/
Jon Martin Sub:culture
This event is: NYC DJ/provocateur Jon Martin’s 5th annual 40th birthday party
Unbreakable like the spirit of HOUSE.
Broken when it is not done with soul.
The unbreakable will never embody the broken.
Full proof !
Feel This Way.
This is the way HOUSE is felt.
The universal sound.
Joseph Bologne, Chevalier de Saint-Georges (December 25, 1745 – June 10, 1799) was a champion fencer, a virtuoso violinist and conductor of the leading symphony orchestra in Paris. Born in Guadeloupe, he was the son of George Bologne de Saint-Georges, a wealthy planter, and Nanon, his African slave.During the French Revolution, Saint-Georges was colonel of the Légion St.-Georges, the first all-black regiment in Europe, fighting on the side of the Republic. Today the Chevalier de Saint-Georges is best remembered as the first classical composer of African ancestry.
Joseph de Bologne’s father was George de Bologne de Saint-Georges, a member of a wealthy family which had lived in the French West Indies colony of Guadeloupe since 1645. He married Élisabeth Merican on September 8, 1739. By January, 1740 he had moved to a 250-acre plantation with 60 slaves. One of the slaves was an attractive young woman about 17 who was named Anne but was called Nanon. She was of African descent and was born on the island. George and Nanon began an intimate relationship shortly after his arrival. Their son Joseph de Bologne came into the world on Christmas Day, 1745. His African heritage made him ineligible for the nobility and its titles under French law.
Young Joseph lived a privileged life on the plantation. He had ample time to play, and his father gave him lessons in music and fencing. When he was 8 years old, Joseph sailed for Bordeaux with Élisabeth to start school, arriving on August 12, 1753. Nanon landed at the same port on September 10, 1754 and visited Joseph for several weeks. Nanon and George arrived back in France on September 10, 1755. They took Joseph to live with them in the fashionable Saint-Germain quarter of Paris. On April 1, 1757, Pierre Bardin tells us, George obtained the position of Gentleman of the King’s Chamber, which meant he was a personal assistant to King Louis XV.
Saint-Georges became Conductor of Le Concert des amateurs in 1773, combining his duties with composing. From 1773-1775, he produced 8 violin concertos and 2 symphonies concertantes, according to the Works List compiled by Gabriel Banat. In 1775, only two years after Saint-Georges became Conductor, L’Almanach Musical [The Musical Almanac] wrote that the ensemble was “the best orchestra for symphonies in Paris and perhaps in Europe”.
Saint-Georges’ first compositions, Op. I, were a set of six string Quartets, among the first in France. They were inspired by Haydn’s earliest quartets imported from Vienna by the eccentric Baron Bagge, whose musicales were frequented by some of the best musicians in Paris, including Joseph. Two more sets of six string quartets, three charming forte-piano and violin sonatas, a sonata for harp and flute and six violin duos make up his chamber music output. A cello sonata performed in Lille in 1792, a concerto for clarinet and one for bassoon were lost. Twelve additional violin concertos, two symphonies and eight symphonie-concertantes, a new, intrinsically Parisian genre of which Saint-Georges was one of the chief exponents complete the list of his instrumental works, published between 1771 and 1779, a short span of eight years. Six opéra comiques and a number of songs in manuscript complete the list of his works, remarkable considering his many extra-musical activities.
In 1773, when Gossec took over the direction of the prestigious but troubled Concert Spirituel, he designated Saint-Georges as his successor as director of the Concert des Amateurs. Less than two years under his direction, “Performing with great precision and delicate nuances [the Amateurs] became the best orchestra for symphonies in Paris, and perhaps in all of Europe.”As the Queen attended some of Saint-Georges’ concerts at the Palais de Soubise, arriving sometimes without notice, the orchestra wore court attire for all its performances. “Dressed in rich velvet or damask with gold or silver braid and fine lace on their cuffs and collars and with their parade swords and plumed hats placed next to them on their benches, the combined effect was as pleasing to the eye as it was flattering to the ear.”Saint-Georges played all his violin concertos as soloist with his orchestra. Their corner movements are replete with daring batteries and bariolages, brilliant technical effects made possible by the new bow designed by Nicholas Pierre Tourte Père – a perfect foil in the hands of a great swordsman. While their fast movements reveal the composer probing the outer limits of his instrument, his slow movements are lyrical and expressive, with an occasional touch of Creole nostalgia.
Saint-Georges was fortunate to be already established as a professional musician, because in 1774, when his father died in Guadeloupe, his annuity was awarded to his legitimate half-sister, Elisabeth Benedictine. While before that he contributed his services to the Amateurs, he now asked for and was willingly granted a generous fee by the sponsors of the orchestra, which he had turned into the largest and most prestigious ensemble in Europe.
In 1776 the Académie royale de musique, the (Paris Opéra), was once again in dire straits. Saint Georges was proposed as the next director of the opera. As creator of the first disciplined French orchestra since Lully, he was the obvious choice to rescue the prestige of that troubled institution. However, alarmed by his reputation as a taskmaster, three of its leading ladies “… presented a placet (petition) to the Queen [Marie Antoinette] assuring her Majesty that their honor and delicate conscience could never allow them to submit to the orders of a mulatto.” To keep the affair from embarrassing the queen, Saint-Georges promptly withdrew his name from the proposal. Meanwhile, to defuse the brewing scandal, Louis XVI took the Opéra back from the city of Paris – ceded to it by Louis XIV a century ago – to be managed by his Intendant of Light Entertainments. Following the “affair,” Marie-Antoinette preferred to hold her musicales in the salon of her petit appartement de la reine in Versailles. The audience was limited to her intimate circle and only a few musicians, among them the Chevalier de Saint-Georges. “Invited to play music with the queen,” Saint-Georges probably played his violin sonatas, with her Majesty playing the forte-piano.
The placet also ended forever Saint-Georges’ aspirations to the highest position of any musician in Paris. It was, as far we know, the most serious setback he suffered due to his color. Compared to the upheavals to come, it was a tempest in a teapot, but the wound it inflicted on Saint-Georges would fester until the Revolution. Over the next two years he published two more violin concertos and a pair of his Symphonies concertantes. Thereafter, despite of his humiliation by the operatic divas, except for his final set of quartets (Op. 14, 1785), Saint-Georges, fascinated by the stage, abandoned composing instrumental music in favor of opera.
Nick Cannon expressed his disdain for movies such as “Django Unchained” and “12 Years a Slave,” saying he’s tired of seeing Black people portrayed as slaves on film. Recognizing that African people’s history started prior to being enslaved, the actor tweeted that he would like to see Blacks portray kings and queens in films instead.
“Why don’t they make movies about our African kings & queens? #OurHistory I would love to see a film about Akhenaton and his beautiful wife Queen Nefertiti! Or Cetewayo, a king who was a war hero. Im about to drive to my office right now and start the development! New Hollywood Trend, Black king and queen films! Starring Black people!!”
Below are 10 kings and queens whose extraordinary accomplishments would make great story lines for films.
1 King Hannibal
King Hannibal is said to be the greatest military leader and strategist of all time. Hannibal was born in 247 B.C., during the beginning of the decline of Carthage, then a maritime power near present-day Tunis in North Africa. The Carthage population was a mix of Africans and Phoenicians who were great merchants, trading with India, the people of the Mediterranean and the Scilly Isles.
When he was very young, about 8 or 9, Hannibal accompanied his father Hamilclar in a battle against the Romans. Seventeen years later in 221 B.C., he succeeded his brother-in-law Hasdrubal, and became supreme commander of the peninsula.Hannibal had 80,000 infantry, 12,000 cavalry, and 40 African war elephants. He conquered major portions of Spain and France, and all of Italy, except for Rome.Hannibal marched his army and war elephants through the Alps to surprise and conquer his enemies. In one battle, the Romans put 80,000 men on the field led by Scipio to defeat Hannibal. When Scipio attacked with his entire army, Hannibal had so studied the grounds that he arranged his African swordsmen and elephants to trampled and slaughter them.After killing thousands of Roman soldiers in lengthy battle, Hannibal took his own life rather than surrender when he was overwhelmed by the larger Roman army.
2 King Mansa Musa I
King Mansa Musa I (Emperor Moses) was an important Malian king, ruling from 1312 to 1337 and expanding the Mali influence over the Niger city-states of Timbuktu, Gao, and Djenne.
Musa ruled the Mali Empire and was estimated to have been worth the equivalent of $400 billion in today’s currency, which makes him the richest man to ever walk this earth.
The emperor was a master businessman and economist, and gained his wealth through Mali’s supply of gold, salt and ivory, the main commodities for most of the world during that time.
Musa maintained a huge army that kept peace and policed the trade routes for his businesses. His armies pushed the borders of Mali from the Atlantic coast in the west; beyond the cities of Timbuktu and Gao in the east; and from the salt mines of Taghaza in the north to the gold mines of Wangar in the south.
Musa was also a major influence on the University of Timbuktu, the world’s first university and the major learning institution for not just of Africa but the world. Timbuktu became a meeting place of poets, scholars and artists of Africa and the Middle East. Even after Mali declined, Timbuktu remained the major learning center of Africa for many years.
3 Shaka, King of the Zulus
Shaka, king of the Zulus, was born in 1787, the son of Zulu Chief Senzangakhona and his wife Nandi. When Shaka was 26, his father died and left the throne to a son, Sijuana. Shaka ambushed and killed Sijuana, taking leadership of the Zulus. He came to power around 1818.
A strong leader and military innovator, Shaka is noted for revolutionizing 19th century Bantu warfare by first grouping regiments by age, and training his men to use standardized weapons and special tactics.
He invented the “assegai,” a short stabbing spear, and marched his regiments in tight formation, using large shields to fend off the enemies throwing spears. Over the years, Shaka’s troops earned such a reputation that many enemies would flee at the sight of them.
With cunning and confidence as his tools, Shaka built a small Zulu tribe into a powerful nation of more than a million people, and united all tribes in South Africa against European colonial rule. The Zulu nation continued to use Shaka’s innovations in wars after his death.
Near the end of the 19th century, the British exiled King Prempeh from the hinterlands of the Gold Coast (present day Ghana), in an attempt to take over. By 1900, still not gaining control, the British sent a governor to the city of Kumasi, the capital of the Ashanti, to demand the Golden Stool, the Ark of the Covenant for the Ashanti people.
The Golden Stool was the supreme symbol of the sovereignty and the independence of the Ashanti, a people who inhabited dense rain forests of what is now the central portion of Ghana.
The governor in no way understood the sacred significance of the Golden Stool, which according to tradition, contained the soul of the Ashanti.
Nana Yaa Asantewa was present at the meeting with the governor and chiefs. When the meeting ended, and she was alone with the Ashanti chiefs, she said: “Now I have seen that some of you fear to fight for our king. If it were in the brave days of old, the days of Osei Tutu, Okomfo Anoyke and Opulu Ware, Ashanti chiefs would not sit down to see their king taken away without firing a shot. No white man could have dared speak to Ashanti chiefs in the way the governor spoke to you chiefs this morning.”
Nana Yaa Asantewa’s speech stirred the men. She said, “If you men will not go forward, then we the women will. I will call upon my fellow women. We will fight the white men until the last of us falls in the battlefields.”
The Ashantis, led by Nana Yaa Asantewa, fought very bravely.
King Ramesses II, also referred to as Ramesses the Great, was the third Egyptian pharaoh of the 19th dynasty. He reigned from 1279 B.C. to 1213 B.C. He is often regarded as the greatest, most celebrated, and most powerful pharaoh of the Egyptian Empire. His successors and later Egyptians called him the “Great Ancestor.” Ramesses II led several military expeditions into the Levant, reasserting Egyptian control over Canaan. He also led expeditions south into Nubia, commemorated in inscriptions at the temples at Beit el-Wali and Gerf Hussein.
At age 14, Ramesses was appointed prince regent by his father Seti I. He is believed to have taken the throne in his late teens and is known to have ruled Egypt for 66 years and 2 months, according to Egypt’s contemporary historical records. He was once reported to have lived to 99 years old.
Queen Nefertari was the Nubian queen from 1292 to 1225 B.C. One of a many great Nubian queens, Nefertari is heralded as the queen who wed for peace. Her marriage to Ramesses II began strictly as a political move, a sharing of power between two leaders. But not only did it grow into one of the greatest royal love affairs in history, but brought the hundred year war between Nubia and Egypt to an end.
Their story was an armistice that lasted over a hundred years. Even today, a monument stands in Queen Nefertari’s honor. In fact, the temple which Ramesses built for her at Abu Simbel is one of the largest and most beautiful structures ever built to honor a wife.
Amenhotep IV, better known as “Akhenaton” is in some respects the most remarkable of the pharaohs.
Akhenaton is considered the founder of the first monotheistic religion. He ruled from approximately 1352 – 1336 B.C., coming into power after his father, Amenhotep III, died. Akhenaton’s reign left a profound effect on Egypt and the entire world of his day. Thirteen hundred years before Christ, he preached and lived the gospel of perfect love, brotherhood, and truth. Two thousand years before Muhammed, he taught the doctrine of the “one God.” Three thousand years before Darwin, he sensed the unity that runs through all living things.
The account of Akhenaton is not complete without the story of his beautiful wife, Nefertiti. What is known is that the relationship between Akhenaton and Nefertiti was one of history’s first well-known love stories.
At the prompting of Akhenaton and Nefertiti, sculptors and artists began to recreate life in its natural state, instead of the rigid and lifeless forms of early Egyptian art.
Taharqa is probably one of the most famous rulers of Napatan Kush, reigning from 690 to 664 B.C.. At 16, this great Nubian king led his armies against the invading Assyrians in defense of his ally, Israel. This action earned him a place in the Bible (Isaiah 37:9, 2 Kings 19:9).
During his 25-year rule, Taharqa controlled the largest empire in ancient Africa. His power was equaled only by the Assyrians. These two forces were in constant conflict, but despite continuous warfare, Taharqa was able to initiate a building program throughout his empire, which was overwhelming in scope. The number and majesty of his building projects were legendary, with the greatest being the temple at Gebel Barkal in the Sudan. The temple was carved from rock and decorated with images of Taharqa over 100 feet high.
Queen Nzingha or “Amazon Queen of Matamba” was born in West Africa in 1583 and died 1663. Many women ranked among the great rulers of Africa, including this Angolan queen who was an astute diplomat and excelled as a military leader. When the slave-hunting Portuguese attacked the army of her brother’s kingdom, Nzingha was sent to negotiate the peace. She did so with astonishing skill and political tact, despite the fact that her brother had her only child killed.
She later formed her own army against the Portuguese, and waged war for nearly 30 years. These battles were a unique moment in colonial history as Nzingha allied her nation with the Dutch, marking the first African-European alliance against a European oppressor. Nzingha continued to wield considerable influence among her subjects despite being forced into exile. Because of her quest for freedom and relentless drive to bring peace to her people, Nzingha remains a glimmering symbol of inspiration.
In 960 B.C., the nation that is now called Ethiopia came back upon the center of the stage of history. Ethiopia was then represented by a queen, who in some books is referred to as “Makeda” or “Belkis.” She is better known to the world as the queen of Sheba.
In his book, “World’s Great Men of Color,” J.A. Rogers , gives this description: “Out of the mists of 3,000 years, emerges this beautiful story of an African queen who, attracted by the fame of a Judean monarch, made a long journey to see him.”
The queen of Sheba is said to have undertaken a long and difficult journey to Jerusalem to learn from the wisdom of the great King Solomon.
Makeda and King Solomon were equally impressed with each other. Out of their relationship was born a son, Menelik I. This queen is said to have reigned over Sheba and Arabia as well as Ethiopia. The queen of Sheba’s capital was Debra Makeda, which she built for herself.
In Ethiopia’s church of Aksum , there is a copy of what is said to be one of the Tables of Law that Solomon gave to Menelik I.
The story of the queen of Sheba is deeply cherished in Ethiopia, as part of the national heritage. This African queen is mentioned in two holy books, the Bible and the Quran.